Red Hat is a family of typefaces produced in 2 optical sizes and a monospace style, in a range of weights with italics. The fonts were originally commissioned by Paula Scher, Pentagram and designed by Jeremy Mickel, MCKL for the new Red Hat identity. Red Hat is a fresh take on the geometric sans genre, taking inspiration from a range of American sans serifs including Tempo and Highway Gothic. The Display styles are low contrast and spaced tightly, with a large x-height and open counters. The Text styles have a slightly smaller x-height and narrower width for better legibility, are spaced more generously, and have thinned joins for better performance at small sizes. The two families can be used together seamlessly at a range of sizes. The family has been upgraded to variable fonts with a weight axis (Light to Bold) in June 2021. The November 2024 update addresses a frequently reported weight issue. The Medium and SemiBold weights now have slightly different weight compared to the previous version, ensuring better weight distribution within the design space and improved fluidity in the variable font. To contribute, see github.com/RedHatOfficial/RedHatFont
Red Hat Text for the heading, Prata for the body.
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Design starts with a question.
Good letters carry the memory of the pen.
A soft serif with old-style warmth, drawn for display sizes and unhurried reading.
This typeface borrows the melting charm of phototype and rebuilds it, patiently, for the screen.
At text sizes the warmth settles into something quieter: open counters, a generous x-height, and forms that curve rather than cut. It reads like a well-worn paperback — familiar, unhurried, and slightly mischievous.
Good letters carry the memory of the pen.
The brief asked for warmth without nostalgia, and authority without sternness. Red Hat Text answered both at once — a face that feels typeset by hand yet holds up at retinal resolutions. At this size it settles into an unhurried rhythm: generous spacing, open counters, and letterforms that carry tone before they announce themselves.
Small sizes are where display faces usually apologise for themselves. Red Hat Text does not. Drop into text and the texture tightens into a competent, readable grey — open counters, a generous x-height, and forms that curve rather than cut. At text sizes the warmth settles into something quieter: familiar, unhurried, and slightly mischievous. It reads like a well-worn paperback, holding its voice across captions, footnotes, and long paragraphs without flattening into noise. Paired with a neutral grotesque for wayfinding and labels, it gives an identity system exactly one strong opinion — usually the right number — while the body keeps doing the quiet work underneath.
Red Hat is a family of typefaces produced in 2 optical sizes and a monospace style, in a range of weights with italics. The fonts were originally commissioned by Paula Scher, Pentagram and designed by Jeremy Mickel, MCKL for the new Red Hat identity. Red Hat is a fresh take on the geometric sans genre, taking inspiration from a range of American sans serifs including Tempo and Highway Gothic. The Display styles are low contrast and spaced tightly, with a large x-height and open counters. The Text styles have a slightly smaller x-height and narrower width for better legibility, are spaced more generously, and have thinned joins for better performance at small sizes. The two families can be used together seamlessly at a range of sizes. The family has been upgraded to variable fonts with a weight axis (Light to Bold) in June 2021. The November 2024 update addresses a frequently reported weight issue. The Medium and SemiBold weights now have slightly different weight compared to the previous version, ensuring better weight distribution within the design space and improved fluidity in the variable font. To contribute, see github.com/RedHatOfficial/RedHatFont