Cormorant is a free display type family developed by Christian Thalmann. The project currently comprises a total of 45 font files spanning 9 different visual styles (Roman, Italic, Infant, Infant Italic, Garamond, Garamond Italic, Upright Cursive, Small Caps, and Unicase) and 5 weights (Light, Regular, Medium, SemiBold, and Bold.) Cormorant was conceived, drawn, spaced, kerned, programmed, interpolated, and produced in its entirety by Christian Thalmann of Catharsis Fonts. For an illustrated presentation and description of the family, please visit its Bēhance page . While this project was heavily inspired by Claude Garamont's immortal legacy, Christian did not use any specific font as a starting point or direct reference for the designs. Most glyphs were drawn from scratch; when he needed guidance on a specific character, he searched for the term Garamond and skimmed through the results for a general impression. He is grateful to the creative souls on the Typophile, TypeDrawers and Typografie forums, and Github, for a wealth of knowledge about type design, and for providing a large amount of excellent feedback on Cormorant during its development. He also thanks the tireless folks at Glyphs, in particular Rainer Erich Scheichelbauer of Schriftlabor and Georg Seifert. Special thanks go to Dave Crossland and Google Fonts for making the libre release of this font family possible through generous funding of the development process. The Cormorant project is led by Christian Thalmann, a type designer based in Zurich, Switzerland. To contribute, see github.com/CatharsisFonts/Cormorant
Cormorant for the heading, Public Sans for the body.
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Design starts with a question.
Good letters carry the memory of the pen.
A soft serif with old-style warmth, drawn for display sizes and unhurried reading.
This typeface borrows the melting charm of phototype and rebuilds it, patiently, for the screen.
At text sizes the warmth settles into something quieter: open counters, a generous x-height, and forms that curve rather than cut. It reads like a well-worn paperback — familiar, unhurried, and slightly mischievous.
Good letters carry the memory of the pen.
The brief asked for warmth without nostalgia, and authority without sternness. Cormorant answered both at once — a face that feels typeset by hand yet holds up at retinal resolutions. At this size it settles into an unhurried rhythm: generous spacing, open counters, and letterforms that carry tone before they announce themselves.
Small sizes are where display faces usually apologise for themselves. Cormorant does not. Drop into text and the texture tightens into a competent, readable grey — open counters, a generous x-height, and forms that curve rather than cut. At text sizes the warmth settles into something quieter: familiar, unhurried, and slightly mischievous. It reads like a well-worn paperback, holding its voice across captions, footnotes, and long paragraphs without flattening into noise. Paired with a neutral grotesque for wayfinding and labels, it gives an identity system exactly one strong opinion — usually the right number — while the body keeps doing the quiet work underneath.
Cormorant is a free display type family developed by Christian Thalmann. The project currently comprises a total of 45 font files spanning 9 different visual styles (Roman, Italic, Infant, Infant Italic, Garamond, Garamond Italic, Upright Cursive, Small Caps, and Unicase) and 5 weights (Light, Regular, Medium, SemiBold, and Bold.) Cormorant was conceived, drawn, spaced, kerned, programmed, interpolated, and produced in its entirety by Christian Thalmann of Catharsis Fonts. For an illustrated presentation and description of the family, please visit its Bēhance page . While this project was heavily inspired by Claude Garamont's immortal legacy, Christian did not use any specific font as a starting point or direct reference for the designs. Most glyphs were drawn from scratch; when he needed guidance on a specific character, he searched for the term Garamond and skimmed through the results for a general impression. He is grateful to the creative souls on the Typophile, TypeDrawers and Typografie forums, and Github, for a wealth of knowledge about type design, and for providing a large amount of excellent feedback on Cormorant during its development. He also thanks the tireless folks at Glyphs, in particular Rainer Erich Scheichelbauer of Schriftlabor and Georg Seifert. Special thanks go to Dave Crossland and Google Fonts for making the libre release of this font family possible through generous funding of the development process. The Cormorant project is led by Christian Thalmann, a type designer based in Zurich, Switzerland. To contribute, see github.com/CatharsisFonts/Cormorant